I've been sanding the thing lots, with fine sandpaper. Ain't doing alot, but it's doing something. Cleaned up a few areas. There's a few shots where the camera gets really close into the face. Has to look good that close.

Cornelisz (this guy) is going to pretty easy to animate, facially. His whole movie is that he doesn't care about nuthin' but his painting. So most of the time, he'll just make his impassive lip-curl squiny-face. Kind of a Clint Eastwood spaghetti western type of thing. No talking, all squinting.