After hours and hours of lighting, we've finally settled on the final lighting for the scene. And with small variations, most of the scenes in this set. There's no longer anything we can or want to do to it. We finally got the light on the back wall just how we want, after going back and forth and fiddling with it dozens of times. This particular shot won't likely even be used in the film; Dave is going to tweak the colour and levels of it, and us it as the 'master' for the set. Meaning we'll make the rest of the shots match.

We also shot the majority of the background stills for the current scene (Scene 4). So we have something that will actually be in the movie. Far out.