I've been throwing various bits and pieces together, trying to get a feel for how i'm going to approach the background composites for 'The Hell Painting'. It's going to be a lot harder to mesh green-screened armatures with small-scale photoshopped/painted images/sets with one another than it was for 'The Third Night'. I think i'm going to have to do alot more hands-on building that i'd originally hoped. As soon as I have a place to do it, i'm just going to dive into the 'Interior studio' set pieces and see what I get. There's a good chance that i'll end up throwing out the digital work from my early attempts anyways, until I establish an aesthetic and way of working.